MAN RAY

1890-1976

Man Ray was born Emmanuel Radnitzky, on August 27, 1890, in Philadelphia, and moved to New York with his family seven years later. Working in several media, Man Ray's art includes painting, sculpture, collage, constructed objects and photography. A member of the Dada art movement and the only American member of the Paris Surrealist movement, Man Ray considered himself an artist, and thought of photography as a medium of artistic expression when used for more than reproduction. In describing his own work, Man Ray once said, "I paint what can not be photographed. I photograph what I do not wish to paint."

In New York he frequented Alfred Stieglitz’s gallery “291” in, and attended classes at the Ferrer Center in 1912. In 1915 his first solo show was held at the Daniel Gallery, New York. About this time he took up photography, the medium for which he was to become best known, producing his first significant photographs around 1918.

He entered into a lifelong friendship with Marcel Duchamp, with whom he and Walter Arensberg founded the Society of Independent Artists in 1916. With Duchamp, Katherine Dreier, Henry Hudson, and Andrew McLaren, Man Ray established the Société Anonyme, which he named, in 1920. Before the artist moved from New York City to Paris in 1921, Man Ray and Marcel Duchamp published the single issue of New York Dada.

Beginning in 1921, he received hundreds of commissions for portraits and commercial work which were featured in publications such as Vogue, Vu, Bazaar and Vanity Fair. In Paris, Man Ray was also given a solo exhibition at Librairie Six in 1921. His first “Rayographs” (photographic images produced without a camera) were published in Les Champs Délicieux in 1922, the same year the artist participated in the Salon Dada at the Galerie Montaigne in Paris. With Jean Arp, Giorgio de Chirico, Max Ernst, André Masson, Joan Miró, and Pablo Picasso, he was represented in the first Surrealist exhibition at the Galerie Pierre in Paris in 1925.

From 1923 to 1929 he made the films Le Retour à la raison, Emak Bakia, L’Etoile de mer, and Les Mystères du château de dé. In 1932, Man Ray’s work was included in Dada: 1916–1932 at the Galerie de l’Institut in Paris, and in a Surrealist show at the Julien Levy Gallery in New York. He collaborated with Paul Eluard on the books Facile in 1935 and Les Mains libres in 1937. In 1936 he went to New York on the occasion of the Fantastic Art, Dada, Surrealism exhibition at the Museum of Modern Art, in which his work appeared.

The artist left France in 1940, shortly before the German occupation, making his way to Hollywood and then to New York. In 1951 he returned to Paris, where he was given a solo show at the Galerie Berggruen. In 1959, a solo exhibition of Man Ray’s work was held at the Institute of Contemporary Art in London. His autobiography Self Portrait was published in 1963. Ten years later the Metropolitan Museum of Art in New York presented 125 of his photographic works. In 1971, there were major retrospectives of his lie’s work in Rotterdam, the Netherlands, and Milan, Italy.

Man Ray died on November 18, 1976, in Paris. His epitaph reads: “Unconcerned, but not indifferent.”

Selected Recent Exhibitions

2004 Man Ray and Lee Miller. FOAM, Amsterdam, The Netherlands.

Man Ray: The Gift of His Vision. House of Shiseido, Ginza Tokyo, Japan.

Conversion to Modernism: The Early Work of Man Ray. Terra Museum of Art, Chicago

Man Ray. Art Gallery of New South Wales, Sydney, Australia.

2003 Man Ray's Paris Portraits: 1921-39. Carosso Fine Art, New York, NY.

Conversion to Modernism: The Early Works of Man Ray. Georgia Museum of Art, University of Georgia, Athens, GA; Montclair Art Museum, New Jersey.

The Omnipotent Dream: Man Ray, Confluences and Influences. The Turchin Center for the Visual Arts, Appalachian State University, Boone, North Carolina.

Photographs of Man Ray. Museum Eki, Kyoto, Japan.

Man Ray Exhibition. Tristan's Gallery, Wadebridge Cornwall, UK.

2002 Man Ray: Voyeur / Voyant. Hillwood Art Museum, C.W. Post Long Island University, Brookville, New York.

Modernist Photographs by Herbert Bayer and Man Ray. Denver Museum of Art, Denver, CO.

Man Ray on Paper. Haggerty Museum of Art, Marquette University, Milwaukee, WI.


1999 Man Ray: Photography and Its Double. International Center of Photography, New York.

A Practical Dreamer: The Photographs of Man Ray. J.Paul Getty Museum, Los Angeles, CA.

Public Collections:

Eastman House Museum of Photography & Film, Rochester, New York
Fine Arts Museums of San Francisco, California
Guggenheim Museum, New York City
J. Paul Getty Museum, Los Angeles, California
Metropolitan Museum of Art, New York City
Minneapolis Institute of Arts, Minnesota
Museum of Fine Arts, Houston, Texas
Museum of Modern Art, New York City
Rijksmuseum, Amsterdam, The Netherlands
San Francisco Museum of Modern Art
Yale University Art Gallery, New Haven, Connecticut
Allen Art Museum at Oberlin College, Ohio
Art Institute of Chicago
Chrysler Museum, Virginia
Corcoran Gallery of Art, Washington D.C.
Det Nationale Fotomuseum, Copenhagen, Denmark
Fonds Regional d'Art Contemporain (FRAC) Bourgogne, Dijon, France
Hirshhorn Museum, Washington D.C.
International Center of Photography, New York City
Kunsthaus Zurich, Switzerland
Los Angeles County Museum of Art
McMullen Museum of Art at Boston College, Massachusetts
Montclair Art Museum, New Jersey
MUMOK - Museum Moderner Kunst Stiftung Ludwig Wien, Vienna
Musée d'Orsay, Paris, France
Museum Abteiberg, Germany
Museum of Fine Arts, Santa Fe, New Mexico

Museum of Fine Arts, Boston
Museum of Modern Art, New York City
National Gallery of Art, Washington D.C.
New Orleans Museum of Art, Louisiana
Palazzo Forti, Verona
Philadelphia Museum of Art, Pennsylvania
Pomona College Museum of Art, California
Reina Sofía National Museum, Madrid
Royal Museum of Fine Arts, Belgium
Smithsonian American Art Museum, Washington D.C.
Statens Museum for Kunst, Copenhagen
Tate Gallery, London
The Newark Museum, New Jersey
Whitney Museum of American Art, New York City